Posts tagged Screenwriting
Posts tagged Screenwriting
Ted Hope shares his recommendations on the best practices to utilize if you want to have a hope of a sustainable creative life as a filmmaker.
Excerpt:
1. Focus on developing Entrepreneurial Skills as well as the creative…
2. The great challenge is no longer how to get your film made or funded, but how to get people to watch it…
11. You are currently witnessing the end of feature film dominance… Time to start thinking broader and deeper.
14. To increase your rate of success, fail twice as much. Experiment…
A strong, honest, motivational talk from Ted Hope. If you have a career in film, or you want one — Read The Full Article
(via two-things-productions)
![writeworld:
From referenceforwriters:
all these things that I’ve done [listen]writing playlist
i. midnight city - M83 // ii. sweater weather - the neighbourhood // iii. called out in the dark - snow patrol // iv. take a walk - passion pit // v. feeling good - muse // vi. on top of the world - imagine dragons // vii. ho hey - the lumineers // viii. call it what you want - foster the people // ix. take back the city - snow patrol // x. horchata - vampire weekend // xi. lover’s carvings - bibio // xii. shadowplay - the killers // xiii. sleep alone - two door cinema club // xiv. daylight - matt & kim // xv. float on - modest mouse // xvi. all these things that i’ve done - the killers](http://25.media.tumblr.com/c9a6e63c11d3762642e40658db53131e/tumblr_mmvkapjYLE1s1buyfo2_r1_500.jpg)
From referenceforwriters:
all these things that I’ve done [listen]
writing playlisti. midnight city - M83 // ii. sweater weather - the neighbourhood // iii. called out in the dark - snow patrol // iv. take a walk - passion pit // v. feeling good - muse // vi. on top of the world - imagine dragons // vii. ho hey - the lumineers // viii. call it what you want - foster the people // ix. take back the city - snow patrol // x. horchata - vampire weekend // xi. lover’s carvings - bibio // xii. shadowplay - the killers // xiii. sleep alone - two door cinema club // xiv. daylight - matt & kim // xv. float on - modest mouse // xvi. all these things that i’ve done - the killers

Any film that succeeds in touching on deep themes through perfect comedy is bound to build a lasting connection with audiences. In his DVD commentary for Groundhog Day (1993) Harold Ramis recalls some of the feedback he received on the film and plenty of fun tibits from it’s production.
Bill Murray called it ‘probably the best work I’ve done’ and, 20 years after its release, Groundhog Day can still take your breath away. Its original screenwriter Danny Rubin and admirers such as director David O Russell explain its lasting appeal.
What a genius script looks like: Groundhog Day screenplay by Danny Rubin [pdf, scanned draft]. (NOTE: For educational purposes only)
How did you come up with the idea for “Groundhog Day?”
There’s so many parts to answering that question. I think the big idea, if there is a — the big think or the accidental happenstance was when I was trying to solve a story problem. If a person could live forever, if a person was immortal, how would they change over time? I was curious about whether one lifetime was enough for somebody. There are some people, those arrested development type men who can’t really outlive their — out grow their adolescence and I thought, well, maybe one lifetime isn’t enough. Maybe you need more. So, I was just thinking through if a person could live long enough, how would they change and that seemed like a cumbersome experiment because of having to deal with changing history. So, I was trying to solve the problem how you can have a person be immortal without having history change from underneath him so that the movie would not — the story of the movie would not have to deal with the French Revolution and with the future and things like thatAnd then, to solve that, I remembered an idea I had had about a year or two before that about a guy repeating the same day and I realized that having a person repeat the same day turns an eternity into a circle and that’s when all the dramatic possibilities came and the comedic possibilities and all the resonances with repetition. So, that was the idea like that. I was actually getting ready to read one of Anne Rice’s novels about vampires and I was sort of thinking about why I thought that was interesting and the most interesting thing to me was that it was a different class of people. They were just like people except some of the rules were different and the most interesting one being that they were immoral and that’s what got me thinking about immortality. There, that’s all of it. —Big Think Interview With Danny Rubin
Screenwriter Danny Rubin, also a professor of screenwriting at Harvard, graciously agreed to come to Red River Theatres for Q & A following a screening of his beloved comedy/romance Groundhog Day. Coincidentally, Rubin’s Kindle Edition e-book on the screenplay How to Write Groundhog Day was released by Amazon.com the day before this appearance.
In his book, How to Write Groundhog Day, the man who wrote the legendary movie shares the story behind the film and his secrets for aspiring screenwriters. Here, his Top 10 rules for writers.
One of the best DVD commentaries.
People crave the authentic. In the age of both mechanical and digital reproduction, we tend to increasingly value that which can not be recreated. In an overt consumerist environment, we also start to cherish that which does not need to be sold.
Lindsay Doran - Saving The World vs Kissing The Girl
TEDxConejo 2012
Is it possible to write a sci-fi contained action/thriller comedy found footage rom-com?
To be a writer does not mean to preach a truth, it means to discover a truth.
Milan Kundera
(Source: etsy.com)
Did I mention we finished the outline? It. Is. Glorious.
It looks like I’m holding my own hand but it’s just because I haven’t stopped giving myself a high-five.
Just sayin’.
(original)
I just hope these people stay persistent because sometimes it’s six or eight scripts before they have that great script. All the people they admire went through these things and had adversity. Oliver Stone wrote 10 scripts before he wrote Platoon which got him all of his first jobs which got him Midnight Express and then he waited 10 years to get Platoon made… I attended all these (film industry) functions, the classes and the bookstores reading all the time. I have a 10,000-book library in my house from collecting books over the years. Young writers and beginning writers need to stay persistent and understand what the odds are against them succeeding.
(Source: screenwritingfromiowa.wordpress.com, via cinephilearchive)